There's always a sense of completeness and a sense of strangeness when things come back to the beginning, right where they were supposed to end up in the first place. There's fulfillment, sure, but at the same time it's different from what you imagined, and the familiar is no longer familiar.
( On the tragedy of Sado and the triumph of his son )Zuko's story as I depict it in
Shadow is a composite of Sado's and Jeongjo's stories--both the disgraced prince and the resilient boy, and ultimately the strong king who overcame a legacy of violence and trauma to create his own legacy of forgiveness and compassion. Maybe it's naive of me, a political fairy tale, but I've never been averse to creating my own comfort when I need it. Besides, Jeongjo the Twenty-Second King of Choson, Lee San the son of a murdered father and grandson of his father's killer, already showed us that it's possible. He showed it in the most eloquent way possible, through the course of his life as both a man and a king.