ljwrites: A typewriter with multicolored butterflies on it. (Default)
In Part 1 of this essay on Avatar: The Last Airbender as a political story, I discussed attempts to resolve the crisis of a worldwide war unilaterally, from the Earth Kingdom side. In that part and Part 2 I talked about the reasons why the attempt failed, and indeed that maybe it was best that it failed--because the solution had to come from inside the Fire Nation. Until a viable alternative rulership presented itself, outside intervention might have done more harm than good. Then I said that such an alternative existed in the Fire Nation due to the history of anti-war dissent starting from Roku onwards, and that the internal movement to end the war found its focus and leadership with Prince Zuko, both Sozin's and Roku's descendant, finding his conscience and his destiny.
 
So all the pieces are in place, and the goal is clear: Zuko would become the new Firelord, replacing his father and vanquishing his sister. He would then end the war and bring peace. His uncle and his Order of the White Lotus cohorts would retake the city of Ba Sing Se, something crucial to stabilizing Zuko's rule. Dissidents to the new Firelord holed up in the world's greatest fortress would be a headache and a nightmare for Zuko, and risked splitting his nation apart. And most crucially, the Avatar Aang would neutralize the current Firelord Ozai.
 
Reasons I Love Avatar 4, Part 3 (in which we ponder kinslaying for fun and profit) )
 
ljwrites: A typewriter with multicolored butterflies on it. (Default)
The central subject matter of Avatar is a world-wide war. It is also a show rated for children. Therefor the show is replete spectacular battles with elements and technology where no one is shown dying or even getting hurt, people slamming hard enough into walls to break them down and bouncing back up to fight, and fireballs flung all over the place with remarkably few people getting actually burned.

(I don't fault the creators for the cartoon violence, by the way. There's nothing wrong with working within the rating while bringing important issues to younger audiences. And I realize I'm the weird one here for expecting those otter-penguins to suffer abdominal ruptures every time I watch the penguin-sledding scene from "The Boy in the Iceberg." You're welcome for the mental image.)

But when I think of the treatment of war in Avatar, I don't think of any of those flashy scenes. I think of this guy:

Reason 3: War (In which I quote Hobbes and otherwise scare people away.) ) 

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ljwrites: A typewriter with multicolored butterflies on it. (Default)
L.J. Lee

August 2025

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